22

22 is not a single project, but an autonomous field within my artistic practice.

At the basis of 22 is a limited set of twenty-two points. Each point can be material, spatial, or situational — a support, a node, a position, a moment, or a situation. Relations arise between the points through distance, line, fixation, displacement, repetition, tension, and subtraction. The number 22 sets a limit: the number of elements remains finite and graspable, while the ways in which they can be organized and transformed are not confined to a single structure.

In some cases, 22 appears through physical elements and spatial configurations. In others, the initial material recedes, while the logic of connection remains: a structure of relations, intervals, transitions, and possible transformations.

This field includes Stretch Art as a method, Entre 22 as a spatial project, and Observer Points Model as an autonomous system. The same logic can also shift into exhibition space, text, sound, instruction, and collective situations.

22 remains an active system, not a completed series.